The golden, liquid rooms of the ALHMA Museum are conceived as spaces of symbolic transition. These rooms are not made to be inhabited; they are spaces of psychoaesthetic transition, designed to suspend the logic of the outside world and activate an internal time. 

Each room is a doorway to the unknown, a threshold crossed not with one's feet, but with the consciousness, as one enters a dream of light. Each space is marked by a set of formal elements that sustain its symbolic value. The liquid rain represents the dissolution of rigid forms, the golden waves allude to subtle energy frequencies that invite calm and an expansion of perception. The liquid, for its part, represents the mutable, the intuitive, that which adapts and flows without imposing itself, alludes to the Emotional and cognitive fluency, to a non-rigid state of knowledge or perception. The Corona radial with its circular and concentric form suggests a effusion from the centre to the multiple, alluding to phenomena such as solar radiation, the propagation of thought, or the distribution of the aura around a sensitive body.

Taken together, these rooms propose an aesthetic, mental, and emotional experience.