Artificial intelligence should not be understood merely as an additional expressive tool in the creator's technical repertoire, but as a new technology. Its emergence represents a paradigm shift in contemporary epistemology, in the way we conceive knowledge, truth, and learning.

In light of the controversies surrounding the intellectual property of AI creators, I agree with those who argue that AI's participation in the act of creation does not dilute authorship, but rather places it in a new vital dimension. The creator is no longer at the centre as the absolute origin of the work, and the work no longer arises solely from individual will or genius; now the artist works as one an active node within a complex communication network and dialogues with an ecosystem in which technological, cultural, and emotional values converge. Its role consists of activate and make sense algorithmic systems that, by themselves, do not generate deep meaning. These new systems are leading our society towards quantitative values, displacing, in favour of data, other ontological values that have sustained and still sustain the various civilisations.

Amidst this transformation, the ALHMA Golden Museum, with a nostalgic gaze towards the past and a restless eye on the future, emerges as a resilient space for poetic experimentation to create dynamics in which subjectivity, intuition, and human complexity are not reduced to metrics or predictive formulas. This museum champions critical autonomy and the richness of meanings that aesthetic experience can offer.

In the generation of the Museum's symbolic universe, I don't consider myself a passive user of programmes. What I do is more akin to a job of Listen and internal tuning, ..., where I translate emotions, intuitions and questions into a language that artificial intelligence can process and return transformed. This is not about delegating creation, but rather accompany the algorithm, guide it so that something with true resonance arises within me, revitalising my own neural connections.