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The Golden Museum is a personal space where I can transform my concerns into images and give shape to the fragmented and scattered nature of my mind. I work from echoes and memories that come to me from a past heavily conditioned by artistic environments.

Over time, I have explored various contemporary art movements, focusing on their communicative power. In this current intersection between humanity and algorithms, I develop hybrid aesthetics that reconfigure my relationship with the viewer and with society in the Big Data era, inviting them to view technology not as something external to us, but as an extension of what we feel and remember, allowing us to reconstruct and amplify our personal universe. 

The museum helps me to chart my own path and find new living spaces. It's like a tuning instrument that adjusts my sensitivity to other frequencies and harmonies sheltered in the silence of long hours of work.

In this process, artificial intelligence is a resource which, far from diminishing my humanity, amplifies my expressive possibilities. In that intimate space, artificial intelligence does not work for me, but with me; it functions as an immaterial extension of my memory, a cognitive prosthesis that helps me to refine imprecise ideas and allows me to weave a coherent and personalised narrative. 

Golden tones work as a longing for beauty and truth, black evokes abysses and brings existential depth, contrast and elegance.

With memory, solitude and sensitivity as intangible matter, I build personalised worlds where beauty emerges from resilience and discipline and can become a bridge to others through art and communication.